Rental studio with an experienced team
A fully rigged space with lighting, sound, comms and a control room — and the people who know how to drive it. You bring the guests; we bring the broadcast.
Studio rentalBook our rental studio with an experienced team, take a streaming kit on location, or hand us the whole production. We build the picture, hold the signal and keep the show on air — so you can concentrate on what you came to say.
Start with the studio. Add a kit when you go on location. Or step back and let us run the whole production from script to delivery.
A fully rigged space with lighting, sound, comms and a control room — and the people who know how to drive it. You bring the guests; we bring the broadcast.
Studio rentalPacked, tested and labelled: cameras, switcher, audio, monitoring and a bonded uplink. Collect it yourself, or add an operator and forget about it.
Streaming kit rentalCommercials, promos, interviews, courses and event films — plus honest advice on what your budget actually buys, before you spend it.
Video productionMost studio hire leaves you with an empty space and a pile of flight cases. Ours comes with a director, a vision mixer, camera operators and a sound engineer who have worked live together — the difference between equipment being present and a show being made.
Conference halls, factory floors, boats, festival fields. Our rental kits are built as complete systems, not shopping lists — every case leaves with a printed patch sheet and comes back checked, charged and re-labelled.
Which is why the boring parts — redundancy, comms, signal paths, a plan for when the venue Wi-Fi dies — matter more than the shiny ones.
Backup recording on every camera, a second uplink path, and spare radio channels — so one failure never becomes your failure.
The same faces on the floor and in the gallery. Shorthand between crew is what keeps a live show calm when the running order changes.
Bonding technology combines multiple networks into one stable stream — including from locations where a single connection would never hold.
Access to the East-European film industry means bigger productions for the same money, managed end to end from the Netherlands.
Date, audience, how many people on camera, where it has to end up. Two lines is enough to start.
A written proposal with the crew, the kit and the signal path spelled out. No surprise line items on the invoice.
A technical run with your speakers, your slides and your platform — before the audience is watching.
We run the show, then hand over the recording, the clean camera ISOs and the cut-downs you asked for.
Tell us what you are planning. We will come back with availability, a crew and a straight answer about what it costs — usually within one working day.